Tenet review – high concept and high stakes

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Entering 2020, Christopher Nolan’s “Tenet” was the summer’s most keenly awaited event movie. Eight apocalyptic months on, it’s assumed the mantle of messianic cinema: a project aiming to blow minds, make a bundle, and thereby save the theatrical experience for all mankind. Beneath the parting clouds, there emerges a mere motion picture, screened in London this week ahead of next Wednesday’s European rollout.


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